John Agard's poem functions as a dramatic monologue challenging the hegemony of a Eurocentric education system. The speaker critiques the curriculum's focus on irrelevant British folklore and history while systematically omitting significant Black historical figures. Through a dual structure that juxtaposes the triviality of colonial teachings with the richness of Caribbean heritage, Agard exposes the mechanism of cultural erasure. The text moves from an accusatory tone regarding the 'blinding' nature of this education to a triumphant reclamation of self. Ultimately, the poem is an act of resistance, culminating in the speaker's determination to validate their own identity through the rediscovery of their ancestry.
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