Nadia Blye, an American war correspondent turned academic, travels to rural Shropshire with her boyfriend Oliver to meet his estranged father, Philip. Philip, a cynical British doctor, challenges Nadia's support for the invasion of Iraq, sparking an intense ideological confrontation that exposes the fragility of her relationship with Oliver. The play operates as a dialectic on the ethics of interventionism, contrasting American idealism with British skepticism. Ultimately, the encounter forces Nadia to confront the limitations of her political certainty and results in the dissolution of her relationship.
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