Marvell's poem is structured as a rigorous dialectical syllogism, moving through thesis, antithesis, and synthesis to persuade the addressee to consummate their relationship. The speaker initially employs hyperbolic praise and a languid tempo to describe an idealised courtship, contingent on infinite time. This is abruptly countered by the intrusion of mortality, depicted through visceral imagery of decay and the relentless pursuit of 'Time's winged chariot'. The final stanza resolves this tension not by conquering time, but by devouring it through immediate, vigorous sexual passion. The text serves as a quintessential metaphysical exploration of the carpe diem motif, blending intellectual wit with existential urgency.
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