Study Notes

Overview
Welcome to your guide for OCR GCSE English Language (J351). This is a skills-based exam, meaning your ability to read with understanding and write with precision is what earns marks. This guide will equip you with the analytical frameworks and creative techniques needed to excel in both Paper 1 (Explorations in Creative Reading and Writing) and Paper 2 (Writers' Viewpoints and Perspectives). We will deconstruct the Assessment Objectives (AOs), explore how to respond to different question types, and provide strategies to produce ambitious, technically accurate writing. Success is not about memorising texts, but mastering the transferable skills of a critical reader and a crafted writer.
Reading Skills
Reading unseen 19th, 20th, and 21st-century texts requires a sharp analytical eye. You are assessed on your ability to penetrate the surface of a text and comment on the writer's craft. Marks are awarded for moving beyond simple summary to a detailed deconstruction of how meaning is shaped.
Identifying Information & Ideas (AO1)
This is the foundation of all reading tasks. AO1 tests your ability to identify and interpret both explicit (obvious) and implicit (suggested) information and ideas. You must also be able to synthesise evidence from one or more texts. For a simple 'list four things' question, you are selecting explicit details. For more complex questions, you must infer meaning, for example, understanding a character's feelings from their actions rather than from a direct statement.
Examiner Tip: For synthesis questions, think of yourself as a detective bringing together clues from different sources to form a single, coherent picture. Credit is given for identifying conceptual links between texts, not just listing points from each one separately.
Analysing Language (AO2)
This is where the highest marks for reading are often won or lost. Analysing language means explaining how the writer's choice of words and phrases creates meaning and effect. It is not enough to simply 'feature spot'. You must use the What-How-Why framework to structure your analysis.

Key Language Features to Identify
| Feature | Definition | Effect on Reader | Example |
|---|---|---|---|
| Metaphor | A figure of speech where a word or phrase is applied to an object or action to which it is not literally applicable. | Creates a powerful image, making an abstract concept more concrete or revealing a hidden similarity. | 'The classroom was a zoo.' |
| Simile | A comparison of one thing with another thing of a different kind, using 'as' or 'like'. | Makes a description more vivid and relatable by linking it to a familiar image. | 'He was as brave as a lion.' |
| Personification | Attributing human qualities or abilities to inanimate objects or abstract ideas. | Can make a scene feel more alive or create a specific mood, such as threatening or welcoming. | 'The wind whispered through the trees.' |
| Pathetic Fallacy | A type of personification where the weather or natural world is used to reflect the mood of a character or scene. | Intensifies the emotional atmosphere and foreshadows events. | 'The rain wept down the window pane as he received the bad news.' |
| Alliteration | The occurrence of the same letter or sound at the beginning of adjacent or closely connected words. | Can create a specific sound effect (harsh, soft), draw attention to key words, or create a sense of rhythm. | 'The sweet smell of success.' |
| Sibilance | A specific type of alliteration involving the repetition of soft consonant sounds like 's' or 'sh'. | Often used to create a sinister, soft, or sly tone. Can also mimic sounds like snakes or the wind. | 'The snake slithered silently.' |
| Juxtaposition | Placing two contrasting ideas, words, or images close together. | Highlights the differences between them and can create a sense of shock, irony, or conflict. | 'The pristine new building stood beside the crumbling ruins.' |
| Hyperbole | Exaggerated statements or claims not meant to be taken literally. | Used for emphasis or humorous effect. It can reveal a character's state of mind. | 'I've told you a million times.' |
Analysing Structure (AO2)
Structure refers to how a text is organised and ordered. When analysing structure, you are looking at the 'big picture' choices the writer has made. Consider the journey you are taken on as a reader.
- Openings: How does the writer hook the reader? In media res (in the middle of the action)? With a description? With dialogue?
- Shifts in Focus: Where does the narrative perspective change? Does it zoom in on a small detail or zoom out to a wider view? Why?
- Narrative Perspective: Who is telling the story? First-person (I, we) creates intimacy. Third-person (he, she, they) can be omniscient (all-knowing) or limited.
- Sentence & Paragraph Structure: Are sentences long and complex, or short and simple? Long paragraphs can be immersive; short ones can create tension. Variation is key.
- Cyclical Structure: Does the text end where it began? This can suggest a lack of change or the inevitability of events.
- Flashback/Foreshadowing: Does the writer move back and forth in time? Flashbacks provide context, while foreshadowing builds suspense.
Evaluating Critically (AO4)
Evaluation requires you to make a judgement about a text and support it with evidence. You will be given a statement and asked 'to what extent you agree'. The key is to form a substantiated, critical opinion on the writer's methods.
- Formulate a Thesis: Start with a clear statement of your overall judgement (e.g., 'To a large extent, the writer is successful in creating a sinister atmosphere...').
- Provide Evidence: Select precise quotations that support your view.
- Analyse Methods: Explain HOW the writer has achieved this effect (using language and structural features).
- Evaluate Success: Use evaluative language (e.g., 'convincingly', 'powerfully', 'less successfully', 'masterfully') to comment on how well the writer has achieved their purpose.
- Consider Alternatives: For top marks, offer a nuanced view. Where might the writer have been less successful? This shows sophisticated critical thought.
Comparing Writers' Viewpoints (AO3)
This skill, central to Paper 2, requires you to synthesise and compare the perspectives in two texts. Do not fall into the trap of analysing one text and then the other. The comparison must be integrated.
- Identify Viewpoints: What is each writer's overall opinion or perspective on the topic?
- Compare Methods: How do they convey this viewpoint? Compare their use of language (tone, word choice) and structural features.
- Connect and Contrast: Use comparative connectives throughout your response (e.g., 'Similarly', 'In contrast', 'Whereas Writer A argues..., Writer B offers a different perspective by...').
- Evaluate Effectiveness: Which writer is more convincing and why? This links AO3 to AO4.
Writing Skills
Writing accounts for 50% of your total GCSE grade. Marks are awarded for content and organisation (AO5) and technical accuracy (AO6). Ambitious ideas and flawless execution are the goal.

Creative Writing (Paper 1, Section B)
This is your chance to show off your descriptive or narrative skills. You will be given a choice of two tasks, often prompted by an image.
- Show, Don't Tell: Instead of saying 'it was cold', describe 'the biting wind that stung his cheeks and the way his breath plumed like smoke'.
- Sensory Description: Engage all five senses. What can be seen, heard, smelled, touched, and tasted?
- Varied Sentence Structures: Mix simple, compound, and complex sentences to control pace and rhythm. A short, dramatic sentence can have a huge impact after a long, descriptive one.
- Engaging Openings: Hook your reader immediately with action, dialogue, or a mysterious statement.
- Satisfying Endings: A good ending provides a sense of closure, perhaps by returning to an image from the opening (a cyclical structure).
- The One-Scene Rule: For descriptive writing, focus on one moment or scene in detail. For narrative, focus on a single, significant event. Don't try to tell a whole life story.
Transactional/Non-Fiction Writing (Paper 2, Section B)
This task requires you to write for a specific purpose, audience, and form (e.g., a letter, article, speech, leaflet).
- Purpose, Audience, Form (PAF): Before you write a single word, identify your PAF. Who are you writing for? Why are you writing? What form should it take? This will determine your tone, register, and structure.
- AFOREST Persuasive Techniques: This acronym is your toolkit for persuasive writing:
- Alliteration
- Facts (can be invented for the exam)
- Opinions (disguised as facts)
- Rhetorical Questions
- Emotive Language
- Statistics (can be invented)
- Three (Rule of Three)
- Structure: Use the conventions of the form. An article needs a headline and subheadings. A formal letter needs the correct addresses and salutation. A speech needs direct address to the audience ('friends', 'colleagues').
Technical Accuracy (SPaG - AO6)
Spelling, Punctuation, and Grammar (SPaG) are critical. AO6 is worth 20% of the total marks, and errors will limit your achievement. Examiners are looking for conscious crafting.
- Ambitious Punctuation: Move beyond commas and full stops. Correctly use:
- Semicolons (;) to link two closely related independent clauses.
- Colons (:) to introduce a list, explanation, or quotation.
- Dashes (-) for emphasis or to add a dramatic aside.
- Parenthetical Commas/Brackets to add extra information.
- Paragraph Cohesion: Use discourse markers (e.g., 'Furthermore', 'In contrast', 'Consequently') to link your paragraphs and create a logical flow of ideas.
- Proofread: Always leave 5 minutes at the end to read through your work. Check for common errors: comma splicing, incorrect homophones (their/there/they're), and spelling mistakes. It can be the difference between grades.
"